He Is Throwing Bones –

Shot 3 from SC2. INT. INTERIOR OF A RAGGEDY TENT – DAY. Edit all AI output before queueing any render.

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Sora 2

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Queueing a render creates a `RenderJob` for the selected provider. `Sora 2` sends the prompt to Azure OpenAI. `Seedance 2.0` sends the prompt to Seedance and polls its task API. Other models continue to use the local mock provider.

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continuity lock environment: INTERIOR OF A RAGGEDY TENT. continuity lock lighting: daylight; DAY. The same raggedy tent interior from the previous shot holds, its canvas walls glowing with filtered daylight. White Cloud, a Cowichan Shaman of indeterminate age, sits cross-legged on the dirt floor, his weathered face a map of deep lines and ancient knowing. His attire is a deliberate clash of worlds: worn black biker leather draped over traditional shaman frill, scuffed cowboy boots, and an Iron Maiden T-shirt stretched across his chest. In his hands, he holds a collection of bones — a chaotic amalgam of teeth and fangs, their surfaces stained and porous — turning them over with a reverence that borders on ritual. The wide, grounded framing observes him from a slight distance, the stillness of the tent making his slow, deliberate movements feel like the only motion in the world. — WIDE GROUNDED | 24mm | 7s

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continuity lock environment: INTERIOR OF A RAGGEDY TENT. continuity lock lighting: daylight; DAY. The same raggedy tent interior from the previous shot holds, its canvas walls glo…

continuity lock environment: INTERIOR OF A RAGGEDY TENT. continuity lock lighting: daylight; DAY. The same raggedy tent interior from the previous shot holds, its canvas walls glowing with filtered daylight. White Cloud, a Cowichan Shaman of indeterminate age, sits cross-legged on the dirt floor, his weathered face a map of deep lines and ancient knowing. His attire is a deliberate clash of worlds: worn black biker leather draped over traditional shaman frill, scuffed cowboy boots, and an Iron Maiden T-shirt stretched across his chest. In his hands, he holds a collection of bones — a chaotic amalgam of teeth and fangs, their surfaces stained and porous — turning them over with a reverence that borders on ritual. The wide, grounded framing observes him from a slight distance, the stillness of the tent making his slow, deliberate movements feel like the only motion in the world. — WIDE GROUNDED | 24mm | 7s