Shot 2

Shot 2 from OPENING SEQUENCE. Edit all AI output before queueing any render.

Shot editor

Shot title

Shot type

Visual strategy

Duration seconds

Aspect ratio

Location

Shot description

Camera direction

Characters used

Audio / dialogue notes

Sora prompt

Negative constraints

Render settings

Estimated Sora cost

$0.50

Default model

Seedance 2.0

Prompt status

ready

Latest render

completed

Queueing a render creates a `RenderJob` for the selected provider. `Sora 2` sends the prompt to Azure OpenAI. `Seedance 2.0` sends the prompt to Seedance and polls its task API. Other models continue to use the local mock provider.

Prompt preview

The same OPENING SEQUENCE; two large buses stopped in the passenger pickup area.; Beside the buses, ninety well groomed men, identically dressed, with matchin… holds. The roar of the landing jet fades into the ambient hum of the airport, and the perspective descends from the grey winter sky to the asphalt of the passenger pickup lane. Two large white-and-blue buses sit with their cargo holds open, filling the wide frame. Along the curb, a mass of men in identical dark blue jackets and matching sunglasses move with unnerving, synchronized precision, feeding identical suitcases into the buses. Their movements are mechanical and silent, an assembly line of dark-jacketed figures under a flat, overcast light. — WIDE GROUNDED | 24mm ANAMORPHIC | 7s

Recent render jobs

Seedance 2.0

completed

The same OPENING SEQUENCE; two large buses stopped in the passenger pickup area.; Beside the buses, ninety well groomed men, identically dressed, with matchin… holds. The roar of …

Seedance 2.0

completed

continuity lock environment: OPENING SEQUENCE; A large jet zooms overhead and lands at Pierre Trudeau International Airport.; As the camera angle lowers to street level, we see t……

The same OPENING SEQUENCE; two large buses stopped in the passenger pickup area.; Beside the buses, ninety well groomed men, identically dressed, with matchin… holds. The roar of the landing jet fades into the ambient hum of the airport, and the perspective descends from the grey winter sky to the asphalt of the passenger pickup lane. Two large white-and-blue buses sit with their cargo holds open, filling the wide frame. Along the curb, a mass of men in identical dark blue jackets and matching sunglasses move with unnerving, synchronized precision, feeding identical suitcases into the buses. Their movements are mechanical and silent, an assembly line of dark-jacketed figures under a flat, overcast light. — WIDE GROUNDED | 24mm ANAMORPHIC | 7s