Project Dashboard
BLITZ
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
427s
Location
HANWAY HOUSE
Time of day
FRONT DOOR - MORNING 9 9
Characters
GERALD, JACK, RITA, GEORGE, RAG-AND-BONE MAN
George comes out with Rita and Gerald. The cat follows on behind. Rita is holding the suitcase. Next door neighbour firefighter JACK is returning home. His clothes are grimy and ripped, his face and hands covered in soot, his eyes red- rimmed from smoke and exhaustion. Jack is a man whose physicality belies him. He is introverted and shy, but a brave and fearless fireman and highly respected by his peers. He’s the kind of person you want in your team when Armageddon hits. He greets Rita and Gerald. -- 7 of 109 -- 7. -- 8 of 109 -- 8.
GERALD
Do you want some breakfast?
JACK
No thanks Gerald. I need to clean up and catch thirty winks. I’m back on duty in a few hours.
GERALD
I’m going to help out on Maple Street today.
JACK
There’s a lot of damage. The houses are very unstable. Be careful.
GERALD
Always. Jack bends to George. For the first time, we reveal that he has a mild stutter.
JACK
You’re off then, are you George? Give us a shh...shh...shake before you go, little man. He extends an arm, pumps George’s hand in his.
JACK
God sp...sp...Godspeed, and good luck. 6.
RITA
Say thank you George.
GEORGE
(low) Thank you. He bends to stroke the cat curled around his feet.
GEORGE
Goodbye Olly. You be a good boy. Jack looks at Rita, taking in her distress.
JACK
(out of ear-shot of George) Are you alright?
RITA
Not really.
JACK
Do you want co...co...company?
RITA
You need your kip, Jack. We’ll be fine.
JACK
Alright then. He glances back at her as he takes his leave. Gerald bends to George.
GERALD
Look after yourself, my boy, and don’t forget: be brave and stand up to bullies. What do we say about them?
GEORGE
(low) All mouth and no trousers.
GERALD
I beg your pardon, I didn’t hear what you said. Speak up please.
GEORGE
(louder) All mouth and no trousers. 7.
GERALD
Correct! Come here. He scoops George up in his arms, envelopes him in a bear-hug. George teary in his embrace, Rita has to look away. Gerald lowers George to the ground.
GERALD
This is for emergencies. He winks and puts a coin in George’s blazer pocket.
GEORGE
Thank you, Grandad.
RITA
Dad, don’t do anything heroic on Maple Street.
GERALD
I’ll do my best. He watches as Rita and George set off walking down the street. George turns to wave at Gerald, Gerald holding Olly waves back. Rita and George and a handful of other mothers with children make their way up the street towards a bus stop, passing George’s friend ARTHUR (10, white) watching at the front door of a terraced house. As George passes, Arthur sticks 2 fingers in the air, laughing and waving. George responds in kind, sticking his tongue out. Arthur’s mother pulls him inside, glares at George and Rita, slams the door. A RAG-AND-BONE MAN (late 60’s) with an old weary horse and cart passes by. The clip-clop of the horse’s hooves and the rattle of the carriage echo as the rag-and-bone man yells.
RAG-AND-BONE MAN
Any’ol’ron! (Any old iron!) He has said the phrase so many times that his mouth has become lazy, the three words amalgamate to a sound. The RED BRICK CLOCK-TOWER is nearby, standing tall, dominating the landscape. The clock strikes the hour. (At this point we realize the bombing at the beginning of the film was on this street but is yet to happen).
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.