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THE LONG HOME
Scene extraction, character and location detection, dialogue volume, and parser notes for the current screenplay upload.
Scenes
129
Characters
33
Locations
49
Dialogue blocks
714
Status
Scene 1
SC1 INT. UNMARKED LOCATION - UNKNOWN
THE LONG HOME Written by Steve Janas & Vince Jolivette Based on the novel by William Gay September 3, 2015 -- 1 of 109 -- AUDIO IN: OVER a BLACK SCREEN come strange, distant RUMBL…
Scene 2
EXT. MORMON SPRINGS LANDSCAPE - SUNSET
Slope-shouldered hills - eternal, mythic - stand against the dying sun
Scene 3
EXT. HOVINGTON/HARDIN FARM - SUNSET
THOMAS HOVINGTON, a wiry, youngish man in 1920’S-PERIOD CLOTHES, stands with his family: PEARL his wife, who’s about the same age; and AMBER ROSE, their infant daughter
Scene 4
EXT. HOLLOW - SUNSET
A fissure has been ripped into the earth by the eruption
Scene 5
EXT. THE ABYSS - NIGHT
It lies as before - a ragged gash in the earth - while a fearsome THUNDER STORM splits the night
Scene 6
EXT. HARDIN’S HOUSE - NIGHT
NATHAN WINER, SR
Scene 7
INT. HARDIN’S HOUSE - NIGHT
A number of years have passed
Scene 8
EXT. HARDIN’S HOUSE - NIGHT
It’s raining hard
Scene 9
EXT. ABYSS - NIGHT
It’s raining even harder as Hardin drags Winer’s corpse to the lip
Scene 10
EXT. DEEP WOODS - DAY
WILLIAM TELL OLIVER (late 60’s) hikes through the thick brush and stops to inspect a plant under a tree
Scene 11
EXT. WOODS - DAY
Super: TEN YEARS LATER
Scene 12
EXT. OLIVER’S HOUSE - DAY
Oliver sits in his porch swing watching the rain fall
Scene 13
INT. OLIVER’S HOUSE - DAY
It’s spartan but neat
Scene 14
EXT. OLIVER’S HOUSE - PORCH - DAY
Oliver watches Winer go, carrying the shoes, til he’s out of sight in the rain
Scene 15
EXT. WINER’S HOUSE - DAY
WINER’S MOTHER is a bitter, sullen woman - she and Winer rarely talk
Scene 16
EXT. WINER’S BACK YARD - EVENING
Winer goes out to an old TREE HOUSE and begins climbing the ladder to it
Scene 17
INT. WINER HOUSE - KITCHEN - FLASHBACK - DAY
YOUNG WINER is arguing with his mother
Scene 18
INT. TREE HOUSE - PRESENT - EVENING
Winer stares out at the falling rain
Scene 19
EXT. WOODS - DAY
Winer follows Oliver down a steep hillside
Scene 20
EXT. THE ABYSS - DAY
The voices murmur unintelligibly below as dark clouds press down from above
Scene 21
INT. HARDIN’S HOUSE - DAY
Hardin sits at a table in his make-shift honkytonk counting money
Scene 22
EXT. HARDIN’S FRONT YARD - DAY - CONTINUOUS
Hardin looks up at the sky
Scene 23
EXT. THE ABYSS - DAY
Hardin rounds the corner of the hollow and discovers a thin line of SPRAY over the rim of the pit
Scene 24
EXT. SKY - DAY
The clouds are beginning to thin
Scene 25
EXT. OLIVER’S HOUSE - DAY
Oliver looks up at the sky
Scene 26
EXT. OLIVER’S PROPERTY - DAY
Oliver approaches a SPRINGBOX completely inundated by floodwaters, which he wades into
Scene 27
INT. HARDIN’S HOUSE - DAY
Hardin cracks open the door on THREE WOMEN dressed in their Sunday finery
Scene 28
EXT. TOWN CENTER - ESTABLISHING - DAY
1940’s-VINTAGE CARS line the main street
Scene 29
INT. UTOTEM MARKET - DAY
BY NOVEL RACK Winer, sipping a COKE, is perusing the PULP NOVELS when he’s approached by BUTTCUT, a buddy from high school - the star- athlete type
Scene 30
EXT. UTOTEM MARKET - DAY
Winer leans against a tricked-out CHRYSLER parked on the street
Scene 31
INT. MOTORMOUTH’S CHRYSLER - DAY
Motormouth is in the driver’s seat, Winer next to him
Scene 32
EXT. ROAD - NIGHT
Motormouth’s car roars by, weaving ever so slightly
Scene 33
INT. MOTORMOUTH’S CAR - NIGHT
Countryside zips past the window as Motormouth drives, fiddling with the radio while holding an OPEN BEER
Scene 34
EXT. BLALOCK FARM - NIGHT
Motormouth runs from his parked car, a shadow dodging furtively through the moonlight
Scene 35
EXT. HARDIN FARM - ESTABLISHING - NIGHT
The same broad view of the valley Oliver saw earlier
Scene 36
INT. HARDIN’S - NIGHT
It’s crowded
Scene 37
EXT. HARDIN’S - NIGHT
Pearl is giving the soldier a blow job out of sight of the house when suddenly Hardin appears from behind a tree
Scene 38
INT. HARDIN’S HOUSE - DAY
Amber Rose sits on the edge of the bed, tenderly dabbing a WASHCLOTH at Hovington’s face
Scene 39
EXT. HARDIN’S HOUSE - PORCH - DAY
Pearl comes out of the house
Scene 40
INT. HARDIN’S CAR - DAY
THROUGH THE WINDSHIELD, two figures rapidly approach
Scene 41
EXT. HARDIN FARM - ESTABLISHING
From this angle, we can see that part of the marked-off area has been scraped free of dirt, but not much else has been done
Scene 42
INT. HARDIN’S - DAY
Hardin is sitting at the table across from CHARLES LIPSCOMB, 30’s, a jack of all trades - especially talking
Scene 43
EXT. MORMON SPRINGS ROAD - DREAM SEQUENCE - NIGHT
Hastily dressed, Oliver stands on the hardpan, looking up at his house in the moonlight
Scene 44
EXT. NIGHTMARE ROAD - DREAM SEQUENCE - NIGHT
Oliver is walking toward a pit that was torn, bloody and raw, from the Earth
Scene 45
EXT. PIT - DREAM SEQUENCE - NIGHT
At the bottom of the pit is what looks like a lake, its surface frozen over
Scene 46
INT. OLIVER’S HOUSE - BEDROOM - NIGHT
Oliver comes awake in his bed, disoriented by the dream
Scene 47
EXT. WINER’S HOUSE - DAY
Hardin’s Packard pulls to a stop near the porch
Scene 48
EXT. THE ABYSS - NIGHT
A starlit night, illuminated by a waxing crescent moon
Scene 49
EXT. HARDIN’S HOUSE - DAY
A dreamy morning world of sunlit mist
Scene 50
EXT. TOWN CENTER - DAY
It’s bustling with the usual mid-day activity
Scene 51
INT. HALLWAY OUTSIDE SHERIFF BELLWETHER’S OFFICE - DAY
Holding his hat, Oliver sits on a bench outside the locked office as SHERIFF BELLWHETHER, 30’s, and Cooper return from lunch
Scene 52
INT. SHERIFF BELLWHETHER’S OFFICE - DAY
Bellwhether enters with Oliver, holding the box, right behind him
Scene 53
INT. HALLWAY OUTSIDE SHERIFF BELLWETHER’S OFFICE - DAY
Bellwhether is showing Oliver, who’s no longer holding the shoebox, out
Scene 54
EXT. HARDIN’S - BACK YARD - DAY
ON AMBER, dressed for school, waiting for the bus
Scene 55
INT. HARDIN’S HOUSE - DAY
Deputy Cooper sits at one of the tables across from Hardin, who is whittling a PIECE OF WOOD as he talks
Scene 56
EXT. HARDIN’S HOUSE - LATER - DAY
A TRUCK with a HORSE TRAILER comes roaring up the drive, where it stops and begins backing toward the enclosure with the three horses
Scene 57
EXT. OLIVER’S PROPERTY - DAY
Oliver is mending the fence of his goat enclosure as Winer watches, looking a little shame-faced
Scene 58
EXT. HARDIN’S - BACK YARD - DAY
A high sun bakes the valley
Scene 59
EXT. WINER HOUSE - DAY
Having just been dropped off by Hardin, Winer approaches the house
Scene 60
INT. WINER HOUSE - KITCHEN - DAY
Winer marvels at the stacks of gleaming, new COPPER POTS & PANS on the counter top
Scene 61
EXT. WATER HOLE - DAY
A section of creek near the house that forms a pool deep enough to swim in
Scene 62
EXT. WINER HOUSE - DAY
Winer’s mother is waiting for him on the porch when he returns from his bath
Scene 63
EXT. HARDIN’S - BACK YARD - DAY
Another bright, hot day
Scene 64
EXT. WINER HOUSE - PORCH - EVENING
A GREEN STUDEBAKER is parked in the drive as Winer sits with his mother and her “friend,” LEO HUGGINS, a pudgy fast- talker
Scene 65
EXT. HARDIN’S - BACK YARD - DAY
Winer’s trimming a TWO-BY-FOUR on the SAWHORSE while Hardin trims his fingernails with his knife
Scene 66
EXT. WOODS - DAY
The cedar grove Hardin described in his account of finding the knife
Scene 67
EXT. OLIVER’S HOUSE - DAY
Oliver sits under a mature PEAR TREE, peeling PEARS into an old WASHPAN
Scene 68
INT. SHERIFF BELLWHETHER’S OFFICE - DAY
Bellwhether sits across from Oliver
Scene 69
EXT. EMPTY LOT - DAY
A dusty vacant lot behind the main drag through town
Scene 70
INT. LONG’S MARKET - DAY
Sam Long finishes ringing up a FAMILY at his register and glances out the window
Scene 71
EXT. STREET OUTSIDE LONG’S - DAY
SHORTEN SCENE Long intercepts Winer as he walks by on the sidewalk
Scene 72
EXT. WINER HOUSE - DAY
Winer approaches from the road after work
Scene 73
EXT. WINER HOUSE - BACK - DAY
The back door SLAMS and Winer trudges down the path to the water hole, SOAP, TOWEL and SHAVING SUPPLIES in hand
Scene 74
EXT. WATER HOLE - DAY
His hair wet, Winer is again shaving with the mirror balanced in the tree
Scene 75
EXT. WINER’S HOUSE - DAY
Holding his things, Winer passes the house
Scene 76
EXT. CORN FIELD - SUNSET
Winer heads across the field, toward the road
Scene 77
EXT. OLD BUICK - EVENING
The remnant of some long-ago accident, it sits forgotten and overgrown near the highway
Scene 78
INT. OLD BUICK - EVENING
Tossing the towel and other items in first, Winer gets in the front seat and settles back to sleep
Scene 79
EXT. HARDIN’S - BACK YARD - DAY
More of the wooden framework of the honkytonk is in place now
Scene 80
INT. HARDIN’S HOUSE - DAY
Like usual, the place is way too crowded
Scene 81
EXT. HARDIN’S - BACK YARD - DAY
Winer’s work is interrupted by LOUD VOICES
Scene 82
EXT. WOODS - DAY
Morning
Scene 83
EXT. HARDIN’S - BACK YARD - DAY
Winer and Amber stand out of sight around the corner of the house
Scene 84
EXT. CLIFF - NIGHT
Winer comes alone and sits, looking out over the branch of the river below
Scene 85
EXT. HARDIN’S - BACK YARD - DAY
Winer sits amid the half-built honkytonk on his lunch break
Scene 86
EXT. CLIFF - DAY
The same one Winer sat on waiting for Amber before
Scene 87
EXT. CABIN - DAY
An abandoned cabin deposited on the riverside by earlier floodwaters
Scene 88
EXT. WINER HOUSE - PORCH - DAY
Approaching from the road, Winer trots up the steps
Scene 89
EXT. FOREST - DAY
The leaves are starting to turn
Scene 90
EXT. THE ABYSS - DAY
Oliver approaches from the direction of the ridge
Scene 91
EXT. CLIFF - DAY
The same spot overlooking the river, within earshot of the honkytonk, where Winer met Amber last time
Scene 92
INT. CABIN - NIGHT
Sitting on his cot, feet up on an old crate, Motormouth is holding a GLASS OF BOOTLEG WHISKEY AND 7-UP
Scene 93
INT. HARDIN’S HOUSE - DAY
Hardin’s in the back bedroom, putting more CASH into ANOTHER FRUIT JAR
Scene 94
EXT. STUMPHOLE - DAY
Coming along the path, Winer stops by the stumphole for the blanket and is shocked to find it gone
Scene 95
EXT. CLIFF - EVENING
Despite his discovery, Winer sits waiting for Amber at their usual spot
Scene 96
EXT. CLIFF - MORNING
The SAME SHOT, except the moon has now been replaced by the brilliant first rays of the rising sun
Scene 97
EXT. HARDIN’S - BACK YARD - DAY
The honkytonk is nearing completion
Scene 98
EXT. HARDIN’S - BACK YARD - ANOTHER DAY
Hardin is paying CASH into Winer’s hand at the end of the work week
Scene 99
EXT. CABIN - NIGHT
Winer’s sitting by the fire, waiting for the COFFEE to boil, when a wash of HEADLIGHTS from Hardin’s PACKARD almost blinds him
Scene 100
INT. HARDIN’S CAR - NIGHT
The engine IDLES as Winer and Hardin sit
Scene 101
EXT. HARDIN’S HOUSE - DAY
A gray Fall day
Scene 102
EXT. HARDIN’S HOUSE - PORCH - DAY
With a somewhat puzzled look on his face, Hardin is standing just outside the door, holding the paper Cooper has just handed him
Scene 103
EXT. HIGH SCHOOL - DAY
Amber Rose, emerging from the school with the OTHER STUDENTS, stops at the sight of Winer leaning against Motormouth’s Chrsyler, parked at the curb
Scene 104
INT. MOTORMOUTH’S CAR - DAY
Winer drives as Amber gazes out the window, enjoying the freedom
Scene 105
EXT. HARDIN’S - DAY
Hardin and a STATE PROSECUTOR survey the “garden” Hardin says was destroyed by Blalock’s horses
Scene 106
INT. HONKYTONK - DAY
Hardin swings open the door and heads to the bar
Scene 107
EXT. HARDIN’S - DAY
Hardin approaches and enters the wire fence enclosing the horses
Scene 108
INT. MOTORMOUTH’S CAR - DAY
Winer and Amber sit parked a short distance down the road from Hardin’s drive
Scene 109
INT. HARDIN’S HOUSE - NIGHT
TIGHT ON A HAND MIRROR that reflects Amber’s face
Scene 110
EXT. HARDIN’S HOUSE - ESTABLISHING - NIGHT
A new, if still not completely finished, honkytonk has risen behind the house
Scene 111
EXT. HARDIN’S HOUSE - PORCH - NIGHT
Dressed for a date, Winer approaches the SCREEN DOOR and knocks
Scene 112
EXT. ROAD OUTSIDE HARDIN’S HOUSE - NIGHT
Winer emerges from the drive, anxiety over Amber’s fate rising higher and higher within him
Scene 113
INT. LONG’S MARKET - SODA FOUNTAIN - NIGHT
Winer, still dressed for his date, sits on one of the stools as the waitress - the same one Buttcut talked back to - approaches
Scene 114
INT. POOL HALL IN TOWN - NIGHT
Buttcut’s at a table, shooting pool, as Winer enters and finds him
Scene 115
INT. HONKYTONK - NIGHT
Winer and Buttcut enter
Scene 116
INT. SHERIFF BELLWETHER’S OFFICE - DAY
Bellwhether once again sits across from Oliver
Scene 117
INT. JAIL - DAY
Winer and Buttcut look up as the JAILER opens the bullpen
Scene 118
INT. SHERIFF BELLWHETHER’S OFFICE - DAY
Winer sits across the desk from Bellwhether, a deep frown on his face
Scene 119
EXT. CABIN - NIGHT
Winer sits outside the cabin, staring into the campfire
Scene 120
EXT. HARDIN’S - NIGHT
Motormouth’s Chrysler pulls up the drive with Winer behind the wheel
Scene 121
INT. HONKYTONK - NIGHT
Hardin’s behind the bar, drinking JACK DANIELS on the rocks next to Jiminez as Winer enters
Scene 122
EXT. HONKYTONK - NIGHT
Amber runs out the door first followed by Winer, who stops suddenly
Scene 123
EXT. CRASH SCENE - NIGHT
Holding the Winchester, Hardin scrambles down the embankment to find Motormouth’s battered Chrysler on its side, propped against a tree, its one remaining headlight shining crazil…
Scene 124
EXT. ABYSS - NIGHT
Amber and Winer emerge from the trees
Scene 125
EXT. WOODS - DAY
Spring is now in full bloom
Scene 126
EXT. RIDGE - DAY
Leaning on his staff, mantled in flame by the setting sun, Oliver stands at the spot that overlooks Hardin’s property, now overrun by SCAVENGERS: local people tearing up the scorc…
Scene 127
INT. OLIVER’S HOUSE - DAY
Oliver has pried up the floorboards and is now stowing a FRUIT JAR FULL OF CASH below, where several others have already been hidden
Scene 128
EXT. MORMON SPRINGS LANDSCAPE - DAY
The same slope-shouldered hills from the beginning
Scene 129
EXT. WOODS - DAY
Dressed against the Autumn chill, Oliver again approaches along a path in search of ginseng
THE LONG HOME Written by Steve Janas & Vince Jolivette Based on the novel by William Gay September 3, 2015 -- 1 of 109 -- AUDIO IN: OVER a BLACK SCREEN come strange, distant RUMBLINGS. Thunder? Artillery? Giants? FADE IN: EXT. MORMON SPRINGS LANDSCAPE - SUNSET Slope-shouldered hills - eternal, mythic - stand against the dying sun. A YOUNG WOMAN’S VOICE speaks with a rural Southern accent. YOUNG WOMAN’S VOICE (V.O.) Thomas Hovington was walking across his land late one day when he heard a sound that froze him to the spot. EXT. HOVINGTON/HARDIN FARM - SUNSET THOMAS HOVINGTON, a wiry, youngish man in 1920’S-PERIOD CLOTHES, stands with his family: PEARL his wife, who’s about the same age; and AMBER ROSE, their infant daughter. They’re transfixed, trying to figure out the origin of the noise they just heard. PULL BACK slowly to reveal more of the surroundings: a low RIDGE in the background with a spring-fed hollow cut in its side. YOUNG WOMAN’S VOICE (V.O.) It seemed to come from the bowels of the earth, like great, round stones... Hovington had just commenced bootleggin’, and some remnant of childhood religion made
ABYSS
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BLALOCK FARM
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CABIN
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CLIFF
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CORN FIELD
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CRASH SCENE
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DEEP WOODS
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EMPTY LOT
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FOREST
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HALLWAY OUTSIDE SHERIFF BELLWETHER’S OFFICE
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HARDIN FARM
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HARDIN’S
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HARDIN’S CAR
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HARDIN’S FRONT YARD
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HARDIN’S HOUSE
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HIGH SCHOOL
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HOLLOW
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HONKYTONK
Interior
HOVINGTON/HARDIN FARM
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JAIL
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LONG’S MARKET
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MORMON SPRINGS LANDSCAPE
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MORMON SPRINGS ROAD
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MOTORMOUTH’S CAR
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MOTORMOUTH’S CHRYSLER
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NIGHTMARE ROAD
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OLD BUICK
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OLIVER’S HOUSE
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OLIVER’S PROPERTY
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PIT
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POOL HALL IN TOWN
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RIDGE
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ROAD
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ROAD OUTSIDE HARDIN’S HOUSE
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SHERIFF BELLWETHER’S OFFICE
Interior
SHERIFF BELLWHETHER’S OFFICE
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SKY
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STREET OUTSIDE LONG’S
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STUMPHOLE
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THE ABYSS
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TOWN CENTER
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TREE HOUSE
Interior
UNMARKED LOCATION
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UTOTEM MARKET
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WATER HOLE
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WINER HOUSE
Interior
WINER’S BACK YARD
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WINER’S HOUSE
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WOODS
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