Project Dashboard
THE LONG HOME
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
195s
Location
HARDIN’S
Time of day
DAY
Characters
HARDIN, LIPSCOMB
Hardin is sitting at the table across from CHARLES LIPSCOMB, 30’s, a jack of all trades - especially talking. He was the guy Oliver and Winer watched working at Hardin’s from the ridge. As he talks, Hardin whittles a PIECE OF WOOD with a PEARL-HANDLED KNIFE. The same knife, in fact, that Winer. Sr. tried to use on him in their fight years before. -- 24 of 109 --
HARDIN
I got ‘em packed in here cheek-to- jowl, Lipscomb, and it’s cutting into my business. I need my new honkytonk, and I need it now. How long will it take you to build it? 23.
HARDIN
LIPSCOMB
Well, Dallas, I could go at it night and day until you run me into an early grave and it still won’t get done. I need to get me some help. Someone who knows a thing or two about buildin’ would be best.
HARDIN
Got a name in mind? Lipscomb shakes his head.
LIPSCOMB
Jus’ somebody who’ll keep his head down and do what he’s told. There must be some kid around like that. Hardin, still whittling, thinks. He notices the knife and stops, holding it up thoughtfully.
HARDIN
I might have somebody. CUT TO: BLACK SCREEN A woman’s voice hisses urgently OVER. WOMAN’S VOICE Tell! Tell! FADE TO: OLIVER’S DREAM SEQUENCE OLIVER’S WIFE leans over us in POV. She seems spectral in the cold moonlight, her nightdress undone. A desolate WIND sighs outside the window. OLIVER’S WIFE Get up, Tell. He ain’t come in, Willie ain’t. I heard him at the door a while ago, but he ain’t come in.
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.