Project Dashboard
THE LONG HOME
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
204s
Location
OLIVER’S PROPERTY
Time of day
DAY
Characters
OLIVER, WINER
Oliver is mending the fence of his goat enclosure as Winer watches, looking a little shame-faced. -- 39 of 109 -- Oliver’s face puckers slightly, as if he’s weighing whether to tell Winer about the skull. He decides against it.
OLIVER
So - you say we’re out of the Sang business?
WINER
I reckon, now that I’m working for Hardin.
OLIVER
Just as well... I’ll be gone ‘fore long. I look for an early frost and a long winter. Long and cold. Signs are there, if you know where to look.
WINER
You reckon I oughta work for him or not? I’m a little undecided. 38.
OLIVER
Boy, you gotta do what you want to do. As long as you keep your head straight and stay out of his business, you’ll be all right.
WINER
Would you work for Hardin? Oliver shoots him a look of distaste.
OLIVER
Lord, no. I’d scratch shit with the chickens before I’d take a nickel that passed through his hands.
WINER
Why? Because he’s a bootlegger?
OLIVER
No - I got nothin’ against bootleggin’. Been around it my whole life. Thomas Hovington was a bootlegger, and I never had anything against him, ‘cept he let folks run over him. Let Hardin do him out of business, his place, even his woman. A man like Hardin - he can spot that in a feller and use it. He knows who he can shove around and who he can’t. Just see he don’t get started off that way with you. You a good worker. Don’t sell yourself short, and don’t let him run nothin’ over on you. Winer nods, although he still looks a little uneasy.
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.