Project Dashboard
THE LONG HOME
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
135s
Location
WOODS
Time of day
DAY
Characters
HARDIN, OLIVER
Morning. A GROUND MIST clouds the forest. Oliver’s already out, hunting for ginseng. He looks up as an apparition resolves itself: Hardin on the back of Blalock’s big Morgan, the Winchester cradled in the saddle. Seeing Oliver, he rears the horse back. -- 61 of 109 --
HARDIN
What the fuck are you doin’ out here?
OLIVER
Just mindin’ my own business. A pastime I ain’t noticed much of lately.
HARDIN
Your business, hell - I reckon you think anything moves in these woods is your business. Don’t think I ain’t seen you up there prowlin’, stickin’ your long nose in my affairs. 60.
OLIVER
(angry) You don’t own this property. You better check your lines.
HARDIN
My lines is where I make ‘em. And I make a new set everday. He spurs the horse, intentionally knocking Oliver into the brush as he passes. As he lies, stunned and furious, Oliver looks at Hardin’s departing back. There’s a SHOVEL strapped there, its blade encrusted with fresh clay, as well as a GUNNY SACK tied to the pommel, filled with what look to be FRUIT JARS.
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.