Project Dashboard
THE LONG HOME
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
191s
Location
HARDIN’S HOUSE
Time of day
PORCH - DAY
Characters
COOPER, HARDIN
With a somewhat puzzled look on his face, Hardin is standing just outside the door, holding the paper Cooper has just handed him. Pearl and Amber stand nearby. -- 78 of 109 --
COOPER
It’s a summons, Mr. Hardin. It means you got to go to court. There’s goin’ to be a hearin’ - about them horses. He got it up at Franklin, Blalock did. It come down this mornin’ and I brought it on out. Hardin nods.
HARDIN
I reckon you didn’t have no selection. You doin’ all right, Cooper, and Bellwether ain’t goin’ to be sheriff always. We might fool around and run you next election they hold.
COOPER
You know I always try to work with you, Mr. Hardin.
HARDIN
Shore you do. But that Bellwether, now... He’s aimin’ to wake up one of these times out of a job. Or just not wake up at all. He sits down thoughtfully in a ROCKING CHAIR.
HARDIN
What’d happen if I just don’t show up at this hearin’ or whatever?
COOPER
If one of you don’t go, then the othern gets a judgement agin’ him. Like if you don’t show, the judge’ll automatically find for Blalock. He gets them horses back and you don’t get nothin’.
HARDIN
Goddamn him. 77.
COOPER
I can’t help it. That’s the way it works.
HARDIN
I know you can’t. But he ain’t gettin’ them fuckin’ horses. If he does, it’ll be when I’m dead and gone... All these sons-of-bitches startin’ to shove me around, Cooper, and I don’t aim to have it.
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.