Project Dashboard
THE LONG HOME
Review the parsed scene text, extracted dialogue, and generated shot list before moving toward prompt creation.
Estimated duration
176s
Location
CRASH SCENE
Time of day
NIGHT
Characters
AMBER, WINER
Holding the Winchester, Hardin scrambles down the embankment to find Motormouth’s battered Chrysler on its side, propped against a tree, its one remaining headlight shining crazily into the woods. No one’s here. Hardin goes around to the open driver’s-side door. He bends close to examine it. There’s BLOOD. Looking into the trees for signs of a trail, Hardin soon finds one and begins heading off in pursuit. DOWN THE TRAIL Winer and Amber Rose are fleeing the wreck. Winer has been injured: blood is flowing freely from a gash in his forehead into his eyes, and he’s limping from a broken - or, at the very least, sprained - ankle. Amber, who is relatively intact, is holding him up. -- 102 of 109 --
AMBER
You think he’s after us?
WINER
Yes.
AMBER
He could’ve burned up in the fire.
WINER
Hardin won’t burn. As if on cue, Hardin calls out from behind them. HARDIN’S VOICE (shouting) Winer! Amber Rose! You stop this foolishness, now. You ain’t goin’ fast if that’s the way you’re goin’, into the trees and up the hollow. And I know one of you is hurt. Winer turns to Amber.
WINER
Keep going. I’ll hold him off.
AMBER
He’ll kill you! 101.
WINER
I can live with that better than him killin’ you. Amber shakes her head and grabs Winer’s arm.
AMBER
No - you’re not gonna put that on me, either. She pulls/carries him along the trail.
Generate a shot plan to create 3-6 editable shots for this scene, then refine prompts before queueing renders.